展览AG色碟
菲律宾博彩公司被抓EXHIBITION
白川个展——
虎的迷路
策展东谈主：李子健
艺术总监：滕青云
支配：三影堂厦门影相艺术中心
缓期：2023.09.23 - 10.29（周一闭馆）
地址：厦门市场好意思区杏林湾营运中心2号楼裙楼三层
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咱们可能若干王人有过相似的资格，在某一个蓦的忽然感受到熟练的事物变得无比生分：约会上的欢声笑语酿成了意外想的杂音，熟练的亲一又仿佛成为外东谈主；在相册中看到预感之外的合影，仿佛我方的操心是一场骗局; 或者在梦里，意志到我方安适于我方的虚幻。这些“局外东谈主”的本事，省略在辅导着咱们，由咱们熟练的王法和感性所组成寰宇仿佛被咱们本身所阻隔。
选自《始于爱情，终于疫情》系列
This Animal Year Series
ug环球白川的这一系列作品《始于爱情，终于疫情》拍摄了12年，领先经受虎头面具的原因也很简便，虎即是他的属相。这个凶煞的老虎面具追随着他资格家庭变故，见证家乡的变化和管事的发展，以及目击无数琐碎的泛泛片断。展览的主体即是由这一系列相片组成的操心长廊，莫得具体的时分和东谈主物脚迹，就像咱们蓦的堕入回忆时那般，过往的本事就地地露馅。
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选自《始于爱情，终于疫情》系列
This Animal Year Series
选自《始于爱情，终于疫情》系列
This Animal Year Series
在这些相片里，虎头多数由他佩带，无意也会是拍摄现场中的别东谈主，虎头面具掩蔽了一切神气，不管是在何种情境，狞恶的虎头东谈主老是尴尬地盯着镜头，时而举起手枪对向我方。这无疑成为了这一系列相片中捏续的刺点，将那些仅属于私东谈主的本事，千里闷的社会庆典和哀吊的情感有余含糊。
咱们在相片中看到的，是一种令东谈主齰舌的熟练的生分感。家庭合影，约会相片，旅行眷恋，这些在这个时期的咱们王人大宗领有的相片，在白川的演绎下变得生分。相片中的带着虎头的东谈主似乎安适于相片的时空除外，仿佛一个闯入的外东谈主，拒斥着王法和惯习，或是荫藏着被摄者的情感。从这个角度而言，我在白川作品里看到的，是他对那些在他性射中不可捉摸的客体或碰到的千里醉，并以影相的形状，去唤起他们的积极回话。
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选自《始于爱情，终于疫情》系列
This Animal Year Series
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选自《始于爱情，终于疫情》系列
据报道，欧盟委员会6月15日称，相较于其他5G供应商而言，华为和中兴“明显对欧盟安全构成更高的风险”，欧委会将不再采购这两家公司的设备。
This Animal Year Series
“咱们一经支离梗阻，因而不可条目外东谈主会通于此，更不可追缠他们，而是将他们迎入怪怖之中，因为这种怪怖既属于他们又属于咱们。”克里斯蒂娃在《咱们本身的外东谈主》中征引弗洛伊德的敷陈去形色主体与外东谈主碰到时的异样感受，这种生分的感受并非是因碰到外东谈主，而是从根底上，来自于咱们本身里面，那些避讳的，咱们关于本身的生分。在白川越过一旬的影相迷路中，他呈现即是如斯的碰到，那些在生分和稔熟之间，迷东谈主的刺点。
● 文/李子健
近期举办的一场职业拳击比赛，由两位世界拳击巨星角逐冠军，比赛场面异常激烈，观众们全程陶醉在比赛的紧张气氛中，这也是人们一直期待的一场激动人心的拳击比赛。
艺术家
白 川
白川，影相师。
展览：5PRCITY, United Nude Miami,迈阿密，好意思国（2010）；The Sixth International Month of Photography in Moscow: Photobiennale 2006，莫斯科，俄罗斯（2006）；个东谈主展览《爱你比海深》，第二届连州海外影相年展，连州（2006）；个东谈主展览《许竹》、《通谈》，第一届连州海外影相年展，连州（2005）。
葡萄牙国家队欧洲杯Bai Chuan's Solo Exhibition -
Tiger, the Uncanny
Curator:Li Zijian
Art Director:Teng Qingyun
金沙娱乐.Organiser:Three Shadows Xiamen Photography Art Centre
Duration:Sep 23, 2023 - Oct 29, 2023
Venue:3rd Floor of Building 2, Xinglinwan Business Centre, Jimei District, Xiamen
We have all experienced moments where the familiar suddenly transforms into an overwhelming sense of uncanny strangeness. Laughter and merriment at parties can become meaningless noise, close friends and loved ones appear as strangers, and unexpected group photos in an album make one question the authenticity of his or her memories. These moments of feeling like an outsider are reminders that the world, constructed by the rules and rationale we are accustomed to, is somehow rejecting us.
选自《始于爱情，终于疫情》系列
This Animal Year Series
Over the course of 12 years, Bai Chuan created his series \"This Animal Year\". His initial choice of the tiger mask was quite simple – the tiger is his Chinese zodiac sign. This foreboding tiger mask accompanied him through the ups and downs of life, witnessing family upheavals, changes in his hometown, career developments, and countless mundane moments in daily life. The core of this exhibition is a memory corridor comprised of this series of photographs, devoid of specific timestamps or character clues. It's akin to suddenly getting lost in memories, with moments from the past randomly flooding in.
选自《始于爱情，终于疫情》系列
This Animal Year Series
选自《始于爱情，终于疫情》系列
This Animal Year Series
In these photos, most often, it's Bai Chuan himself donning the tiger mask, while at times, others are in the midst of a photo shoot. The tiger mask obscures all facial expressions, and no matter the context, the fierce tiger-headed figure always gazes numbly into the camera, sometimes even pointing a gun towards herself or himself. Undoubtedly, this constant element has become a punctum throughout the series, negating the private moments, somber social rituals, and poignant emotions. What we see in these photos is a strangely familiar yet surprising sense of uncanny strangeness. Family portraits, party snapshots, travel souvenirs – the photos that many of us possess abundantly in this era all become unfamiliar under Bai Chuan's interpretation. The tiger-headed individuals in the photos seem detached from the time and space within the images, almost like intruders rejecting norms and customs, or concealing the emotions of those being photographed. From this perspective, what I discern in Bai Chuan's work is his fascination with objects or encounters that elude his grasp in life, and his endeavor to evoke their positive responses through photography.
选自《始于爱情，终于疫情》系列
This Animal Year Series
\"Freud brings us the courage to call ourselves disintegrated in order not to integrate foreigners and even less so to hunt them down, but rather to welcome them to that uncanny strangeness, which is as much theirs as it is ours.\" As Julia Kristeva quote Freud in \"Strangers to Ourselves\" when the subject encounters strangers, the feeling of strangeness doesn't stem from the encounter with others but fundamentally arises from within ourselves, from those concealed aspects of ourselves that remain unfamiliar. Throughout Bai Chuan's decade-long photographic journey, he indeed presents the encounters of this nature - those punctum between the unfamiliar and the familiar.
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艺术维C，一家融自媒体、艺术策展、艺术储藏的新式艺术平台。专注搭建艺术家与寰球之间的桥梁，挖掘孵化具有改进精神的艺术家，培养新时期藏家，现在已领有全网百万精确高质料用户，旗下艺术品均来自国内一线好意思院大师巨擘认证。
抖音 小红书 微博 ｜C密斯生计好意思学